If you’re a film nerd like me, you watch a lot of movies. You know who directed them, who wrote them, and who starred in them. You even know the composers of the scores. If you’re as nerdy as me, you listen to these scores instead of actually popular music your friends want to listen to. And if you’re really, really nerdy, you want to read reviews of movie scores to know what is good.
For over a decade now, Filmtracks.com has been one of the finest websites dedicated to giving out film reviews. What’s most impressive about the site is that it’s run by one guy.
That guy’s name is Christian Clemmensen, and I have to wonder where he finds the time to write as many reviews as he does. The man writes at least one review a day, which is more than I can manage. And unlike me, Clemmensen writes really long reviews. His recent review for the score to The Last Airbender clocked in at over 2,000 words – twice the length of my longest review, for the book The Elves of Cintra by Terry Brooks. He also designed the site, maintains it, edits all his reviews, and does everything else needed to keep a large niche market website alive. So far, I’ve left those duties to the WordPress staff.
That Clemmensen maintains the site all by himself is occasionally a problem. Because he is human, Filmtracks.com sometimes experiences moments of downtime. I recall a period of a few months some years ago when no new reviews were being updated because of Clemmensen having a life. Right now, though, the site is regularly updated with reviews of movies new and old.
Clemmensen has a strong ability to write expository prose. That is to say that he knows how to write reviews clearly and intelligently. He has a keen ear for listening to music and discerning what’s happening technically with the sound. Sometimes his reviews incorporate too much jargon, but that is not what is wrong with them.
What’s wrong with Clemmensen’s reviews is that he doesn’t hit the Enter key.
His reviews do have multiple paragraphs. But they don’t have enough of them. An average paragraph in the aforementioned review of The Last Airbender ran 500 words long. There were five of them. Each paragraph could have been subdivided multiple times, and the article would have benefited for it.
Clemmensen’s reviews are overlong as it is, but when readers are confronted by huge blocks of text longer than the entirety of this review, it becomes intimidating. Readers today — especially readers on the internet — are accustomed to quick bursts of text. We’re used to what we read being in digestible, bite-sized chunks.
The site’s design is clean and attractive. That it features white text against a black background makes it seem a bit old-fashioned in terms of the Internet; most modern sites use white backgrounds. But these kinds of criticisms are nit-picky. Overall, the site is an incredible resource.